As the Islamic Republic took power, morality squads staged arbitrary raids in Tehran and as fundamentalists seized hold of the universities, the women in Nafisi’s living room, whose rights had been sy...

強(qiáng)制披戴的頭紗下，是三個(gè)伊朗女性的暗黑命運(yùn)。一個(gè)因丈夫吸毒坐牢，要獨(dú)力照顧不能說話的幼兒，不獲批淮離婚再嫁，只好賣淫為生。一個(gè)懷孕后好不容易找到工作，丈夫卻拒簽同意書讓她上班。一個(gè)情不自禁與年輕樂手發(fā)生關(guān)系，卻因?yàn)槭ヌ幣矶簧硐?。充滿禁忌的父權(quán)國度，到處是性別歧視、 虛偽做假、濫權(quán)瀆職。一個(gè)惡作劇電話，更凸顯女性面對的巨大壓力。如此故事，只能用動(dòng)畫呈現(xiàn)，以綠幕拍下真人演出，再利用轉(zhuǎn)描技術(shù)做出栩...

一個(gè)女記者深入伊朗最神圣的城市馬什哈德，追蹤調(diào)查連環(huán)兇手“蜘蛛殺手”以“清洗街頭罪惡”為名殘害女性性工作者，但隨著死亡人數(shù)的劇增，以及真相的接近，記者發(fā)現(xiàn)整個(gè)社會(huì)開始奉“蜘蛛殺手”為英雄，這使得她追尋正義的機(jī)會(huì)變得渺茫。...

Written by Guillaume Renusson and Clément Peny, the story (which won the Audience Award for Best Screenplay for a First Feature Film at Angers’ European First Film Festival) revolves around Samuel who...